Sweet revenge final edit

Here is a link to the final edit of 'Sweet Revenge' including all the credits and company logos.
complete final edit of sweet revenge from Emma Taylor on Vimeo.

Evaluation task 7

EVALUATION ACTIVITY 7
Looking back at your preliminary task (the continuity editing task), what do you feel you have learnt in the progression from it to full product?

In the time since the preliminary task I have learned a great deal about filming and editing especially. Although I do believe that one of our greatest achievements since completing the preliminary task was our effective use of the green screen. During the filming of the preliminary task I had only basic knowledge on how to film basic shots and edit them together in a sequence. Because of this it never even crossed my mind how much can actually be done to make a film more exciting, engaging and authentic. Especially now with the use of the green screen to swap backgrounds and fool audiences into believing the two locations are the same, an illusion I know is used constantly in the big Hollywood thrillers and nearly every other production. The reason for our illusion was because we couldn’t have our actor actually jumping off of the viaduct so we substituted it for a much smaller wall only a meter from the ground.

When watching the production it is quite difficult to tell that the green screen has actually been used which was one of things I was most proud of I am proud of how my skills have developed in a way that has allowed us as a team to create this effect that really adds to the drama and intensity of the psychological thriller.

One thing that this process has also taught me is that the smallest details are often the most effective, things like colour correction for example.

During the scenes where the two characters are together, the colours have been altered to appear happy and bright, this we know connotes optimism and innocence. The colours are not too bright however because even though we are trying to connote happy memories it is also supposed to be connoting the past which is usually associated with black and white although this does not particularly matter for ours as there is a distinct difference between the colours of the scenes connoting the past and the present.

It is clear to see in this screen shot a distinct difference in the colours compared to the last one. This is because this scene is set in the present when Joe is committing suicide and everything has gone wrong due to his involvement with a gang.  The colours have been corrected in a way to make the scene appear dark and depressing. This connotes Joe’s depressed mind-set at this point in the film.

Also something that I believe was a key feature in the effectiveness of ‘Sweet Revenge’ was the use of music to create mood and atmosphere. This was not used in the preliminary causing the film to all be on the same level, there was no depth to the preliminary task and there was nothing to engage the audience into wanting to watch on. For example during the romantic scenes between Kym and Joe in ‘Sweet Revenge’ the scenes are accompanied by soft piano and string (orchestral) music this was something that I noticed during our research of thriller conventions particularly in the opening of ‘Face/off’. During the scenes where Sean Archer is happily riding the carousel with his son the music is very soft, light and orchestral, this connotes the innocence and happiness of their father son relationship. When this is all shattered after an attempted assassination kills Archer’s son the music changes to more depressing sad music connoting Archer’s grief. This is the effect we tried to capture in our production as well. When the scene changes to ‘Two months later’ in Kym’s bedroom the music changes from soft and gentle to harsh and uncomfortable connoting Kym’s thirst for revenge.

Another thing that we learned was very important from the preliminary was continuity. During our preliminary task we had a very obvious continuity error which was that our characters were wearing different clothing at the production was filmed on two different days. 

To make sure that this kind of error did not happen in our production of ‘Sweet Revenge’ we completed all the filming within one day and made a note of what everybody was wearing and made sure they were still wearing the same thing in scenes where continuity is required.

One thing we do understand is very important, is the 180 degree rule. We applied this rule in our preliminary task and also in ‘Sweet Revenge’

Sticking to the 180 degree rule is one of the most important rules in film production as if broken; the film can become very disorientating for the viewer.  The 180 degree rule must be stuck to in order for the shots to make visual sense. We stuck to the rule when filming Joe and Kym together. We see a shot of Joe and Kym together from the left we then track around them with the camera to show them on the right, this is not breaking the rule because the audience has now seen the movement happen so it still makes sense in their heads.

The 180 degree rule diagram

 

One other thing we learned in our preliminary was how to use shot reverse shots effectively, we used shot reverse shots several times during the filming of ‘Sweet Revenge’ but especially in the scene inside Kym’s bedroom where we need to see bother her facial expressions as well as the things she is holding and looking at.

The name of our own production company is Songbird productions; the name was a group decision based on what we had observed from our research of current thrillers.  We noticed that many production company names included connotations of limitlessness and others with the sky and the name ‘Songbird productions seemed to feature both connotations. The actual logo features the name of the company ‘Songbird productions’ along with four animated birds that fly in to position over the title in turn. The animated logo is accompanied by the sounds of song birds tweeting to make the logo feel naturalistic and establish a brand to the company. 

Evaluation task 6

EVALUATION ACTIVITY 6
What have you learnt about technologies from the process of constructing this product?

What have we learned about technologies from the construction of this product?

For the editing and post production of our film we used Final cut pro. Final cut pro is a non-linear video editing software developed by Macromedia inc and later by apple inc for Intel-based OS mac computers.  Final cut pro provides non-linear, non-destructive editing of any quick time compatible video format, it supports a number of simultaneously composed video tracks, up to 99 audio tracks and multi-camera editing for combining video from multiple camera sources as well as many edit functions.

The software is industry standard and allowed us to perform many tasks that simply wouldn’t be possible on the other software option we had, pinnacle studio, such as colour correction, use of vignette, use of black bars above and below the clip to create a cinematic effect  and use of extensive audio enhancement etc… 

Equipment

Canon EOS 550D: One of the cameras we used for filming was the camera we used to film was a Canon EOS 550D, this is a semi-professional camera that allowed to capture our footage in stunning detail that would hopefully be as close to industry standard as possible The camera also allowed us to have depth of field, increase IOS and exposure. The canon shoots in high quality 1080p HD video allowing us to create a high quality cinematic effect. However there were some disadvantaged to this camera such as, it is very expensive and could easily be broken if not handled in the correct manner. The camera is also very complex to operate so the whole productions team needed to be aware of how to operate it correctly in a way that would produce the best results before filming could properly begin. 

JVC GY-HM100: The other camera that we used to film was the JVC GY-HM100, this is also an extremely expensive and high quality semi-professional camera that we actually used to film the behind the scenes footage. The camera also shoots directly in QuickTime format which is the format used to edit in Final cut pro, the editing software we used for the post production side.  The same disadvantages apply to this camera as they did to the canon, as it is a very expensive camera it would be a lot of money for a replacement if it were to be damaged through improper handling. 

Steadicam or shoulder rig: A Steadicam is a type of camera stabilizing mount for filming; the main purpose of the steadi-cam is to mechanically isolate it from the movements of the operator allowing for a smooth shot. The smoothness of the shot is even maintained when moving quickly over an uneven surface.  The steadi-cam is basically a slightly more practical and more portable version of the dolly, only it can move anywhere the camera operator wishes to move for shooting purposes and is not fixed on set tracks like a dolly would be.

Dolly: For many of our tracking and other shots we used a dolly to create a smooth professional looking shot. Although we did not have in our possession an actual dolly, we improvised and created a homemade dolly and tracks with some plastic piping from B&Q. The homemade dolly worked very well in making the shot smooth so it was not distracting to the action taking place in the scene.  However as with everything there are also disadvantages of using the dolly such as, the tubes use as tracks to run the dolly were not collapsible so remained their full size the whole time during filming and transport which caused difficulties when transporting around the several locations that we were filming at

SD cards: The SD cards we used to store the footage were San Disk Ultra 64GB. These cards allowed us to store masses of data in a small confined space in the camera which we could then manipulate later in editing.  By using cards with such a large storage capacity we did not have to change them regularly and were able to just use one in each camera, one for the filming and one for the behind the scenes.  However the disadvantages of using the small SD cards were that they are very small and could easily be dropped and lost along with all the date stored on them. There is also the danger that the cards could not be backed up or formatted properly, jeopardizing the footage that we had shot, fortunately we did not encounter any of these problems.

Crane: The crane we used was an 8 foot long camera crane; there were many benefits of using the camera crane such as it allowed for a smooth shot that panned up and down to heights unreachable by hand held and dolly mounted cameras. This was particularly useful for the viaduct establishing shot where we wanted a full view shot panning up from the ground to the top of the bridge allowing the viewers to grasp the fully height up the viaduct. The impact of the film will be much greater if the audience fully understands the scale of the viaduct. However there were some disadvantages of using the crane such as, it is quite large and not particularly easy to transport, it is also quite complicated to assemble and operate correctly so required a lot of skill and knowledge from the productions team to work using the crane effectively. 

Boom and Microphone: The boom microphone that we used for recording sound was a Rode model, during the filming of the indoor scenes such as the scene in Kym’s bedroom we kept the microphone as normal and the sound quality was perfect. We were able to ensure there was no chance of distortion though the use of headphones while recording and also by visually checking the levels on the monitor. The boom poles were collapsible making the microphone very portable and easy to transport from location to location.  However the boom is not without its difficulties.  When filming within confined spaces it is all too easy to catch the microphone on the ceiling or a wall but this was something we became accustomed to very quickly and easily so it caused us no problems. It is also takes large amounts of physical effort to maintain the microphone at a height that will pick up the audio well but also remain out of shot.  For filming the outside scenes (which was for most of the filming) we used a ‘Dead cat’ cover for the microphone which compensated for the wind and avoided distortion of the audio. 

                                                                        

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Tripods: The tripods we used allowed us to film steady shots on constant action. This was especially useful for shots that were either close ups or extreme close ups as it held the camera completely still while shooting when a shake would be particularly obvious and would take away from the professional effect that we were aiming for. The tripod contained air bubble levelers that allowed us to make sure the shot was completely level before shooting.  The tripods were collapsible and very easy to transport from location to location, the camera could be easily secured to the top of the tripod so we didn’t have to worry about it falling off and getting damaged. However the tripods can become impractical when wanting to track a shot smoothly for a particularly long distance as the tripod although very smooth in panning has very limited movement.  But this was when the Steadicam and the dolly came in. 

Green screen: There was one particular scene where the use of a green screen was necessary. This scene was the viaduct jump scene where our character Joe jumps off the viaduct. Clearly this scene would be impossible to film exactly this way. So as a solution we filmed the scene up until just before the jump where Joe is climbing up on the fence.  We then filmed the jump from a different wall which was in reality only a metre off the ground as opposed to a huge drop on the other side like on the viaduct. However to make the jump still look authentic we held a green screen up behind Joe as he jumped from the smaller wall, we had also earlier taken a photograph of the background at the viaduct location. This was then transposed onto the green screen during post production editing to make the scene look authentic and like Joe really was jumping off of the viaduct. This complexity of editing was only possible on Final Cut pro, although it is possible to use green screen editing on Pinnacle studio it would not look as authentic as it did with Final cut pro and we wanted it to look as close to being real as possible and not look staged.  

For our research and communication throughout the production we used several websites and online services. One site we used heavily was facebook, we created a private facebook group page of which all of the production team were members including the two actors we used. The huge benefit that the facebook group provided us with was that it allowed all of the members of the group to post anytime to keep the rest of the group updated on what they were doing and what plans were for filming dates etc... The group also allowed members to post documents, video clips and photographs. We could easily share any photos that we had taken on filming days, photos of props we had sourced, documents that we had written and video clips that we had put together such as the animatics video for example. We uploaded all of our video clips to Vimeo, a video sharing site that allowed us to embed and share videos in a format that could be posted on the facebook profiles, on our blogs and through e-mails. Another service we used to share documents between school and home was dropbox. dropbox allowed us to quickly and easily store documents in a dropbox account that can be a accessed both from home and in school.